The symbolic meaning of rooster culture has appeared in their respective countries and nations, symbolizing the totalitarianism of patriarchal society and the fearless, arrogant and untouchable leader temperament. Artists use the visual language of sculpture to express a kind of aloof and arrogant temperament. It attempts to replace realism with pure form, to grasp some stable elements from accidental changes, and to give these elements a face close to abstraction, thus making it obtain free changes. This work is a return to the original naturalism.
A washi maker Yukari Sato, she collaborated with woodworker, and a 3D Modeler. The production of Hineri starts with building the delicate wooden frames which are jointed by 3D printed parts. A smooth surface is created with thin lines of threads and the paper-making process is repeated many times by dipping it into the water tank containing bark fiber of mulberry. The fiber spreads randomly between the threads and allows light to leak like sunlight shining through the tree leaves. Proposing a new approach to craftsmanship by combining traditional techniques with the latest technology.
on the material canvas with actual brush and color paint. initial design concept get influence from Japanese animation and focused to harmony between human girl and robot with present Asian style background. overall storytelling is most major thing of the artwork that relationship between girl and robot it is definitely distinction with other acrylic painting works. also set night timeline and natural mood that bring more uncanny sensibility with rainy.
Arisa Nakayama's work, Watage, aims to visualize the subtle motion of air. The main material utilized to create Watage is light and delicate dandelion puff which flutters as viewers pass by. This principle gives birth to an interactive experience without objects being animated by modern technology or electricity. Nakayama's ambition in this project is to go beyond the work’s aesthetic value of a small craft object, and lead the viewers to apperceive their own existence with refreshed clarity.
The work was designed for drinking cognac. It is free-blown in a glass studio. This makes every glass piece individual. Glass is easy to grab and looks interesting from all angles. The shape of the glass reflects light from different angles adding extra enjoyment to drinking. Due to the flattened shape of the cup, you can place the glass on the table as you wish resting on either of its sides. The name and idea of the work celebrate the ageing of the artist. The design reflects the nuances of ageing and invokes the tradition of ageing cognac improving in quality.
This object is both a lamp and a sculpture, depending on the intention and use of the viewer. An oval glass disc partly framed and mounted on a steel stand can be illuminated by LED. The glass was melted using a special technique with several layers at the GLASLICHTKLANG atelier in Urstall/Southern Bavaria. The object is suitable for indoor and outdoor use.
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